AUTHOR=Livengood Sherri L. , Sheppard John P. , Kim Byoung W. , Malthouse Edward C. , Bourne Janet E. , Barlow Anne E. , Lee Myung J. , Marin Veronica , O'Connor Kailyn P. , Csernansky John G. , Block Martin P. , Blood Anne J. , Breiter Hans C. TITLE=Keypress-Based Musical Preference Is Both Individual and Lawful JOURNAL=Frontiers in Neuroscience VOLUME=11 YEAR=2017 URL=https://www.frontiersin.org/journals/neuroscience/articles/10.3389/fnins.2017.00136 DOI=10.3389/fnins.2017.00136 ISSN=1662-453X ABSTRACT=
Musical preference is highly individualized and is an area of active study to develop methods for its quantification. Recently, preference-based behavior, associated with activity in brain reward circuitry, has been shown to follow lawful, quantifiable patterns, despite broad variation across individuals. These patterns, observed using a keypress paradigm with visual stimuli, form the basis for relative preference theory (RPT). Here, we sought to determine if such patterns extend to non-visual domains (i.e., audition) and dynamic stimuli, potentially providing a method to supplement psychometric, physiological, and neuroimaging approaches to preference quantification. For this study, we adapted our keypress paradigm to two sets of stimuli consisting of seventeenth to twenty-first century western art music (Classical) and twentieth to twenty-first century jazz and popular music (Popular). We studied a pilot sample and then a separate primary experimental sample with this paradigm, and used iterative mathematical modeling to determine if RPT relationships were observed with high