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ORIGINAL RESEARCH article

Front. Mar. Sci.
Sec. Discoveries
Volume 11 - 2024 | doi: 10.3389/fmars.2024.1430701
This article is part of the Research Topic Homo Aquaticus: New Frontiers in Living and Working in the Ocean View all articles

A song for Pelagibacter. Using creative improvisation as a tool for novel science communication through the Ocean Science Jam The Ocean Science Jam: Improvising Creative Oceanic Communities

Provisionally accepted
  • Helmholtz Institute for Functional Marine Biodiversity (HIFMB), Oldenburg, Germany

The final, formatted version of the article will be published soon.

    Sharing complex Oceanic research in an accessible way with the public is being identified by scientific institutions, universities, governmental departments, and NGO'S as a critical intervention in promoting better engagement with the sea. Art-science collaborations play an integral role in this. Traditionally, these involve pairing artists and marine scientists together to work on a project which is then presented to an audience. Increasingly however more interactive relationships with the public are being seen as a beneficial way to merge art and scientific data. The Ocean Science Jam is such a project which brings musicians, artists, dancers, performers, marine biodiversity scientists and the public together to respond creatively in real time to visual and audio cues based on a theme related to marine scientists' work. By mixing creativity with science in an integrative way the Ocean Science Jam not only acts as tool for public communication but also opens new ways for scientific data to be interpreted by non-scientists. This paper will explore this initiative from design to delivery highlighting the results of facilitating with the public moments where new responses to ocean science can be created through art. It will do so by combining the reflections of the creator of the Ocean Science Jam as well as feedback from the scientists and public who have participated. It will argue for the benefits of using improvisation and artistic co-creation for developing moments of embodied oceanic exchange and connection.

    Keywords: Font, Italic Formatted, Italic Font, Not Italic Font, (Default) +Body (Calibri), 11 pt German (Germany)

    Received: 10 May 2024; Accepted: 17 Sep 2024.

    Copyright: © 2024 Whittaker. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

    * Correspondence: Geraint R. Whittaker, Helmholtz Institute for Functional Marine Biodiversity (HIFMB), Oldenburg, Germany

    Disclaimer: All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations, or those of the publisher, the editors and the reviewers. Any product that may be evaluated in this article or claim that may be made by its manufacturer is not guaranteed or endorsed by the publisher.