PERSPECTIVE article
Front. Commun.
Sec. Media, Creative, and Cultural Industries
Volume 10 - 2025 | doi: 10.3389/fcomm.2025.1598376
This article is part of the Research TopicTeaching and Assessing with AI: Teaching Ideas, Research, and ReflectionsView all 4 articles
REFLECTION-AI: Artificial Intelligence as a Redefining Force for Expressive Filmmaking in Film Schools
Provisionally accepted- 1Escuela Nacional de Experimentación y Realización Cinematográfica, Ciudad de Buenos Aires, Argentina
- 2University Film and Video Association, Colorado Springs, United States
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Artificial Intelligence (AI) is reshaping film education, prompting critical reflection on its role in creative learning and artistic innovation. This study investigates AI’s potential to contribute to a new wave of expressive cinema by examining how students engage with AI tools in educational settings. Combining a classroom-based experiment with three surveys across different learning contexts, we analyze students’ creative responses and ethical concerns. Results reveal a consistent ambivalence: while text-based AI tools were perceived as helpful, visual AI outputs were often described as inauthentic, overly polished, or hegemonic. Notably, many students who voiced concerns about AI’s impact on creativity also acknowledged its potential to enhance artistic work. These contradictions point to an ongoing negotiation between enthusiasm and resistance. Drawing on this data, we discuss the pedagogical implications of integrating AI into filmmaking education and propose a framework that distinguishes between technical and artistic processes. We argue that AI can support cinematic expressiveness if integrated critically, preserving space for experimentation, failure, and personal voice. Ultimately, the classroom emerges as a key site for shaping how AI will influence the future of avant-garde cinema.
Keywords: artificial intelligence, Film education, Expressive Filmmaking, creative learning, Digital cinema, Film pedagogy, Generative AI, Pedagogical innovation
Received: 24 Mar 2025; Accepted: 22 Apr 2025.
Copyright: © 2025 Monserrat and Srnec. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
* Correspondence: Ana Laura Monserrat, Escuela Nacional de Experimentación y Realización Cinematográfica, Ciudad de Buenos Aires, Argentina
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