AUTHOR=Garg Saurabh , Hamarneh Ghassan , Sereno Joan , Jongman Allard , Wang Yue TITLE=Different facial cues for different speech styles in Mandarin tone articulation JOURNAL=Frontiers in Communication VOLUME=8 YEAR=2023 URL=https://www.frontiersin.org/journals/communication/articles/10.3389/fcomm.2023.1148240 DOI=10.3389/fcomm.2023.1148240 ISSN=2297-900X ABSTRACT=

Visual facial information, particularly hyperarticulated lip movements in clear speech, has been shown to benefit segmental speech perception. Little research has focused on prosody, such as lexical tone, presumably because production of prosody primarily involves laryngeal activities not necessarily distinguishable through visible articulatory movements. However, there is evidence that head, eyebrow, and lip movements correlate with production of pitch-related variations. One subsequent question is whether such visual cues are linguistically meaningful. In this study, we compare movements of the head, eyebrows and lips associated with plain (conversational) vs. clear speech styles of Mandarin tone articulation to examine the extent to which clear-speech modifications involve signal-based overall exaggerated facial movements or code-based enhancement of linguistically relevant articulatory movements. Applying computer-vision techniques to recorded speech, visible movements of the frontal face were tracked and measured for 20 native Mandarin speakers speaking in two speech styles: plain and clear. Thirty-three head, eyebrow and lip movement features based on distance, time, and kinematics were extracted from each individual tone word. A random forest classifier was used to identify the important features that differentiate the two styles across tones and for each tone. Mixed-effects models were then performed to determine the features that were significantly different between the two styles. Overall, for all the four Mandarin tones, we found longer duration and greater movements of the head, eyebrows, and lips in clear speech than in plain speech. Additionally, across tones, the maximum movement happened relatively earlier in clear than plain speech. Although limited evidence of tone-specific modifications was also observed, the cues involved overlap with signal-based changes. These findings suggest that visual facial tonal modifications for clear speech primarily adopt signal-based general emphatic cues that strengthen signal saliency.