AUTHOR=Hayward Eva TITLE=OctoEyes JOURNAL=Frontiers in Communication VOLUME=3 YEAR=2019 URL=https://www.frontiersin.org/journals/communication/articles/10.3389/fcomm.2018.00050 DOI=10.3389/fcomm.2018.00050 ISSN=2297-900X ABSTRACT=

Examining Jean Painlevé's and Geneviève Hamon's film The Love Life of the Octopus (Les Amours de la pieuvre) (1965), this essay offers a theory of refracted spectatorship. Refraction, here, describes the sexual nature of the eye/camera, and also how this refractory sight mis/sees animals, particularly octopuses.